AURA
Light, motion and type — written entirely in code, by a machine that was asked to show what it could do.
There are no images on this page.
The sky behind these words is a fragment shader — four octaves of warped noise, folded through a cosine palette, redrawn every frame. The grain is an SVG filter. The type is set live. Nothing here was photographed, painted, or borrowed. Everything is instruction.
Look closer. Touch things.
Steer the aurora
This slider is wired to a shader uniform. You are colour-grading the sky in real time.
Weight in the hand
The button below leans toward your cursor — a spring, not a gimmick.
Feel the pullA specimen, alive
Unbounded, three weights. Rest a cursor on a line and let it breathe.
Depth without a library
This card sits on a 3D plane and follows you — perspective, two transforms, no dependencies. Move across it.
Constraint is the flex.
No stock, no CDN scripts, no build step. One file you could read in a sitting. The point isn't that a model can imitate a designer's output — it's that it can hold a designer's discipline: a palette that stays in key, motion that respects a nervous system, and restraint everywhere except where you're meant to gasp.